Saturday, April 16, 2016
Wednesday, April 13, 2016
I am reading Alastair Reynolds "Steel Breeze" with my lunch. The lead character is Chiku. But Chiku is not just Chiku. She cloned herself and replicated her memory. In the scene I just read the narrative has slipped, without warning from one Chiku to another Chiku. Even the character takes a moment to get her head round that. The preceding chapters being the memories of a counterpart taken into her head as her own.
With this comes an interesting way of telling a story with one character in multiple places. But also the question of identity. These two people aren't just similar, they are the same person.
This is something which particularly struck me with Ancillary Justice. For all the other aspects of that novel that were applauded, I don't think I saw too much reference to this aspect of identity. In this novel the ships are intelligent, a common enough idea, but they have use of physical bodies as tools. (The mechanism and ethics of that are another conversation) So like Chiku, we have multiple view points, but even greater sense of only one mind.
On some level playing with that kind of identity and characterization is fascinating and appealing. Especially thinking in terms of could I pull that off?
Tuesday, April 12, 2016
Brume & Telepherique – Dans Le Silence / Schrei Nach Stille - This double LP was released in 1999, each artist building their tracks from source material provided by the other. It was released on the unprolific German label Duebel (who were related to some extent to the Ant-Zen label), they have a small run of releases, mostly limited editions, no doubt difficult to find. I have probably about 3/4 of the labels releases.
Driving home tonight, a couple of the tracks from this release came up on my MP3 player, where I have a copy of the music. Both lengthy, abstract pieces, the first from the Brume selection, the second from Telepherique. Reminding me, again, just how much I continue to enjoy this album. In doing so being conscious of the act of listening, particularly related to a work like this. The layers, the noises, the textures. Brume, the French musician Christian Renou, is described as musique concrete, though here is at the more accessible end of that spectrum. Voice samples work throughout, I assume from a science fiction film - a space ship, emergency messages. These give the piece a human element, grounding the sound work, the sculptural nature of the layers.
Here to Telepherique are at their more concrete, though verging more into noise, with a harshness to the sound. Telepherique a group of German siblings working with various artists on numerous releases like this one over the years. While I have never seen Brume perform live, I did manage to catch Telepherique twice. The first time Klaus and Rene, the second joined by Danijela.
The music of both bands is something I have a particular fondness for, they way they both achieve an immersive experience. One which I can lose myself as a listener. So a pleasing drive home through the play of soundscapes that complimented the journey.